Teen Pregnancy: its Prevalence and Alternatives

Zarrilli mentioned that Although scholars disagree on a definition, we may define pop theatre as fix up entertainment that appeals to cross class listenings in complex societies through commercial means. (Zarrilli et al, Theatre Histories, 2006, pg 311) In this context it could be stated that a theatre is a stage where the actor and actress arrange their characters according to the director account book is written. But the acting on the stage and especially in front of the audience is more(prenominal) difficult earlier than practiceing on the back stage.There is whole lot of difference amid a ruler theatre and a public theatre because or else than the culture mimic and mirror it withal shows racket for the spectators with not a single question to answer but actually damps a reproach to the audience to find the answer. Popular theatre is nothing like that, what we count on television or theatre, where the actor and actress be execute a masterpiece, but here it is only to perform and realise the situation of the script and play a stage role in a rattling(prenominal) simple manner so that everyone can understand.However, in this context it would be relevant to mention that melo bid, home drama, festivals, calendar celebrations such as Christmas, Easter, the ingathering festival and Halloween, carnivals, cl births, reality TV as examples of touristy theatre. Discussion firearm placing a role in front of a inviteer everyday theatre should tell a story and also bring a concern to the community around the issue. The content should be a potential drop one and it should be a theatre as a story of life so that the visitors can overcome the fears of mind and can pee-pee a self reliance among them selves.The act should be intense, so that the audience gets encourage and they should come the ideas with erupt any hesitation in mind. Thus from this view point events like melodrama, menage drama, festivals, calendar celebrations such as Chris tmas, Easter, the gather festival and Halloween, carnivals, clowns, reality TV well blends into the parameter of general theatre. Now, for the introduction it requires some time and with the chosen form of communication it can be through very quickly and easily.Sometimes the local people carry out the expenses making the production cost low. An opposite important function of popular theatre is to organize a very few people who have a very good understanding among themselves so that they can dupe their own decisions and participate to do the doing. (Berkowitz, 189) An illustration of a case count would benefactor in this context. Take for example Kissa Kursi Ka (Trans Tale of Throne), Directed by former parliamentarian Amrit Nahata, that originated as a mob drama, was a controversial Indian play.The plot revolved around a corrupt and evil politician, Utpal Dutt, stressful to woo personified public, Shabana Azmi. It talked about evil politicians running after the ministerial kitty to do anything and everything to get the so called ministry chair and ultimately shows that all politicians atomic number 18 of same character, leaving a question mark on the viewing audience about the characters of the politicians governing the country. This is what folk drama does. It reveals the public sentiment on different issues. In this case it was political satire.(Dos, 177) Now comes the capital punishment part. It is wholly an art, where the mechanic has to interact with spectators indirectly. Before they come in front of them they admit ample practice to perform on stage with exemplary forepart of mind. To make it complete, the artificer should have appropriate make up, speech, to convey the inwardness with proper skills of non verbal communication. Sometimes the interaction with audience can be direct, it becomes a testing time for the artists presence of mind, as different audience can behave indifferently.So folk artists of a folk drama have to work acco rding to it. In a normal theatre the artist perform their role very professionally because it is their prick and butter for them, so they have to perform quiet confidently so that the next order or roll does not quit extraneous from them. Therefore they have to work very sincerely on that performance act. But in the popular theatre such as folk drama the artist plays a role without any tension on the platform and they do well than the professional people.This only happens because they think that they are working for the society or for the community to grow awareness among the people, so that they do not suffer afterwards in the later part of the life. Here we can see that the normal theatre artist perform their duties for their occupation, whereas the popular theatre artist does their work for the betterment of the society. For example, in India our political science has taken an initiative to do away with stigma around AIDS. eon launching this theatrical role of welfare needs, the government has taken two steps to convey the message to the people of India.One is by providing awareness to the citizen by the help of television. (Border, 227-228) This type of small advertisement programs are covered by popular artist, so that the admirers of the artist gets more attracted to the message of the advertisement, which had been conveyed to them and they should follow that message from that cross day and also discuss the issue with others. With that particular topic, the government also launches small programs, like street skits, with the local people who stay in the villages and perform the role, where the awareness of the advertisement had not reach.Here popular theatre plays its part. It takes more time and hassle for the performers to do the work, but it will be confident(predicate) that the message will be reach to each and every family, which is very much more effective than the regular theatre. These types of popular theatre are conducted by the artist according to the village tradition, culture and language which can give a more positive effect on the minds of the audience. Artist faces numerous lines out here. Cost is a main factor, where most of the money comes from the government, where the expect had to be collected from the welfare trustees, who donate for the betterment of the people.For every rehearsal the artists had some expenses for make ups, dress, food, lodging, this small cost looks more visible when the artist is performing for quit along time. As the funds are very limited it also crates a negative impact while performing a role. For that the insiders and the outsiders have to talk freely and openly with the particular occupation and with the help of the experiences they have to solve it. Most of the people start with his own experience and later incur or study the experience of other artist. (Deb, 323)The analysis part is done between actors, facilitators, animators and even between the insiders and the outsid ers. In this type of analysis the issue information is examined in three contexts, that is stinting social or political. This issue should immediately bring to light and the problem had to solve instantly so that the performance gets better. In a popular theatre, one most important point have to be notice that is to convert the major issues into entertainment and that particular entertainment can be in the form of series of work shops, or a play.This type of particular structured entertainment or activities can be done by asking people to take on the role of a group or community unfamiliar to them and then have the jot and reflect the experience. Thus it is certain that popular theatre like melodrama, folk drama, festivals, calendar celebrations such as Christmas, Easter, the harvest festival and Halloween, carnivals, clowns, reality TV work highly in the context of mass entertainment. (Dev, 78-81) Conclusion When the artist take on very unfamiliar roles they are forced to look an d find new feelings and experience followed by creative sentiments.Emotions of new thought can be done by incorporating the ideas into the theme. Here practice takes topographic point and the next important stage rehearsal for life, which also provides an hazard of a new perception. The contributor or audience are say to analyze or resolution of a problem or quit the stage with a provoking question in the mind of the audience so that they can separately analyse and assess the culture and work according to the political scenario. By resolving this type of contradiction the drama reach a new phase and it turns to a new disagreement and so the process becomes continuous.(Dos, 441-442) Bibliography Zarrilli, Phillip B. McConachie, Bruce A Williams, Gary Jay and Sorgenfrei, Carol Fisher. Theatre Histories An Introduction. New York and capital of the United Kingdom Routledge, 2006 Berkowitz, L Theatre and Man New Haven and London Yale University Press. 2006 Border, S Act I Fire of th e Mind Wellington National bulk Trust 2006 Deb, J Introduction to Russian Acting Stage for public Dunedin ABP Ltd. 2005 Dell, S Evaluation of UK Stage Dunedin ABP Ltd. 2006 Dos, M Future of Thought execute in Theatre History Christchurch Alliance Publications 2005